01：保罗·塞尚 Paul Cézanne 　　02：保罗·高更 Paul Gauguin 　　03：皮尔·波纳尔 Pierre Bonnard 　　04：莫迪利亚尼 Amedeo Modigliani 　　05：乔治·鲁奥 Georges Rouault 　　06：埃贡·席勒 Egon Schiele 　　07：埃德加·德加 Edgar Degas 　　08：康定斯基 Kandinsky 　　09：居斯塔夫·莫罗 Gustave Moreau 　　10：保罗·希涅克 Paul Signac 　　11：卡米耶·毕沙罗 Camille Pissarro 　　12：爱德华·马奈 Édouard Manet 　　13：索尼娅·德劳内 Sonia Delaunay 　　14：保罗·克利 Paul Klee 　　15：费尔南·莱热 Fernand Léger 　　16：苏珊娜·瓦拉东 Suzanne Valadon 　　17：克洛德·莫奈 Claude Monet 　　18：爱德华·蒙克 Edvard Munch 　　19：亨利·德·图卢兹-洛特雷克 Henri de Toulouse-Lautrec 　　20：文森特·梵高 Vincent van Gogh 　　21：安东·柯里格 Anton Kolig 　　22：奥古斯特·雷诺阿 Auguste Renoir 　　23：贝尔纳·布菲 Bernard Buffet 　　24：贝尔特·莫里索 Berthe Morisot 　　25：爱德华·维亚尔 Edouard Vuillard 　　26：古斯塔夫·克里姆特 Gustav Klimt 　　27：亨利·芒更 Henri Manguin 　　28：胡安·米罗 Joan Miró 　　29：莫里斯·德·弗拉芒克 Maurice de Vlaminck 　　30：莫里斯·郁特里洛 Maurice Utrillo 　　31：奥托·迪克斯 Otto Dix 　　32：拉乌尔·杜菲 Raoul Dufy 　　33：费迪南德·霍德勒 Ferdinand Hodler 　　34：谢尔盖·波利雅科夫 Serge Poliakoff 　　35：玛丽·卡萨特 Mary Cassatt

Two of horse racing's most colorful owners, Billy Koch and Scott Kaplan, battle on and off the track during the heat of the summer in Del Mar. From the turf to the surf, this is the sport of kings. And best of all, it's a photo finish to see who wins.

卡尔·纳格尔（欧文·威尔逊 饰）是美国一位画家，他的声音轻柔，几十年来一直在佛蒙特州的公共电视台主持自己的绘画节目。多年来，他的艺术吸引了许多妇女的注意，特别是那些在电视台工作的妇女。但卡尔的生活一成不变，节目收视率也不高。当一个新的画家被雇用来振兴这个频道时，卡尔自己对他作为一个画家的天赋的恐惧被带到了前台。

卡尔·纳格尔（欧文·威尔逊 饰）是美国一位画家，他的声音轻柔，几十年来一直在佛蒙特州的公共电视台主持自己的绘画节目。多年来，他的艺术吸引了许多妇女的注意，特别是那些在电视台工作的妇女。但卡尔的生活一成不变，节目收视率也不高。当一个新的画家被雇用来振兴这个频道时，卡尔自己对他作为一个画家的天赋的恐惧被带到了前台。

Gang of Four 　　Episode 1 of 4 　　Duration: 1 hour 　　Art writer Waldemar Januszczak explores the revolutionary achievements of the Impressionists. In the first episode, Waldemar delves into the back stories of four of the most influential Impressionists - Pissarro, Monet, Renoir and Bazille - who together laid the foundations of the artistic movement. He finds out what social and cultural influences drove them to their style of painting, how they were united and how ultimately they challenged and changed art forever. 　　Waldemar journeys from the shores of the West Indies, to the progressive city of Paris to the suburbs of South London, where these four artists drew inspiration from the cities and towns in which they lived. Whether it be the infamous spot on the river Seine - La Grenouillere - where Monet and Renoir beautifully captured animated people, iridescent light and undulating water or the minimalist, non-sensationalised illustrations of Pissarro's coarse countryside paintings, Waldemar discovers how the Impressionists broke conventions by depicting every day encounters within the unpredictable and ever changing sights around them. 　　------ 　　Painting outdoors 　　Episode 2 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists by taking us outdoors to their most famous locations. Although Impressionist pictures often look sunny and relaxed, achieving this peaceful air was hard work. Trudging through fog, wind and rain, across treacherous coastal rocks and knee-deep snow, Waldemar shows how the famous spontaneity of the Impressionists is thoroughly misleading. 　　This episode visits the French riverside locations that Monet loved to paint, and where Renoir captured the bonhomie of modern life. Waldemar also introduces a number of technical and practical developments of the age which completely revolutionised Impressionist painting - the invention of portable easels; the use of hog's hair in paint brushes; as well as the introduction of the railway through France. And a scientific demonstration in a Swedish snowdrift explains just how right the Impressionists were to paint brightly coloured shadows in their winter scenes, despite being accused of 'hallucinating' at the time. 　　Finally, Januszczak explains Cezanne's part in the Impressionist story from his dark and challenging early work to his first rural landscapes in France, and then his departure from Paris and separation from the Impressionist gang. 　　------ 　　Painting the People 　　Episode 3 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists, focusing this time on the people they painted and in particular the subjects of Degas, Caillebotte and the often forgotten Impressionist women artists. The Impressionists are famous for painting landscape but they were just as determined to paint people. 　　Looking closely at one of Impressionism's finest painters, Edgar Degas, Waldemar reveals how he consistently challenged traditions and strove to record real life as it appeared in the city, from sculpting the contorted movements of horses in motion at the Longchamp race course in Paris to encapsulating extravagant 3D viewpoints of the ballet dancers at the Paris Opera. 　　Waldemar also uncovers the intoxicating haziness the pastel produced in Degas' work when visiting his supplier Pastels de Roche. He also reveals the unusual viewpoints and dramatic perspectives of Caillebotte's paintings from the Place de L'Europe and the rebellious and revolutionary art of Morisot, Bracquemond and Cassatt, three impressive female artists who were eagerly embraced by the progressive movement of Impressionism 　　------ 　　Final Flourish 　　Episode 4 of 4 　　Duration: 1 hour 　　This episode takes a closer look at the late years of Impressionism, using the last show these artists did together as a starting point. 　　Waldemar looks in considerable depth at the work of Georges Seurat, taking into consideration his academic training at the Beaux-Arts School in Paris and the artists that influenced him, such as Piero della Francesca and Puvis de Chavannes. 　　There is also an insight into the complex but fascinating world of optics and art, and the ways in which the Impressionists were using the new discoveries in light and eyesight to influence their work. A fascinating 'after-image' experiment brings to life the ways in which our own eyes see colour, both in its presence and its absence. 　　Van Gogh's time in Paris, a period very little is known about, is also covered, charting the incredible journey the artist made from his brown and dull canvases to the splendid colour and light that pervaded his work on the cusp of his departure for the South of France. 　　The film finishes with a revisiting of Monet and his later waterlily paintings in the Orangerie in Paris. Waldemar investigates how a bad case of cataracts was responsible for a seismic shift in his colour palette and his brushstrokes. Spending time with an ophthalmologist, he finds out how old age and a fairly common ailment of the eyes caused Impressionism to shift and become radical again at the turn of the century and into the 20th century

对于朝九晚五一年四季做着枯燥工作的小职员来说，生活总需要着那么一点儿刺激似乎才有活着的意义。有人抽烟，有人酗酒，有人寻欢作乐，我们的高菲（品托·考维格 Pinto Colvig 配音）则做着看起来对身体无碍不过却大伤荷包的娱乐活动——赌博。小赌一把无所谓，可是乱七八糟各种名目加起来也是一笔巨大的挑费。看起来，高菲不像在给老板打工，倒像是给冷冰冰的独臂强盗（老虎机）打工。纵使一穷二白，高菲也决不悔改。一次次将家当投入到各种赌档之中。 　　欢乐与烦恼，全部与耍钱这份事业联系在一起，输赢似乎道在其次，关键是赌博过程中紧张刺激的神奇感觉。好运，高菲！

阿里的父亲是位建桥工人，他们一家随着父亲，来到一个小村庄暂住。阿里喜欢画画，在村子里他结识了画家爷爷，并且得到了指点。身患疾病的小姑娘只能静静地待在家里，于是他为小姑娘精心绘制五颜六色的图画，希望她能通过绘画看到大自然的美好。时间过得飞快，父亲的工作结束了，他们又要迁移了。临行前 ，阿里终于完成绘画，将它们摆在小姑娘家的门前。

少年たちが、地球侵略を企む海王星人の円盤を目撃する。口を封じようと、少年たちに海王星人が迫るとき、彼らの前に謎のヒーローが現れる。彼の光線銃が閃いて海王星人たちは退却し、少年たちは彼にアイアンシャープの名を与えた。やがて始まる総攻撃。アイアンシャープは宇宙快速船に乗り込み、宇宙空間でこれを迎え撃つ……。スクリーンプロセスを効果的に使用した、宇宙空間での戦いが見どころ。

玛丽娜（Marina）是一名优等生，她的父亲是一名职业杀手，母亲患有残疾。因为她的父亲在一次任务中丧生，玛丽娜的生活很快陷入混乱，需要她接管家族生意，成为母亲唯一的照顾者。